Recommended Reading

This should be required reading. A History of Graphic Design was my textbook in college for Historical Survey of Graphic Design. Sadly, I didn’t really care as much about design history and theory in school (I thought I was far too cool for it, and regardless, there were video games to be played). It wasn’t until after I graduated that I cursed myself for being such a damn fool, and read the darned thing cover to cover. While not a comprehensive guide to Design history, this book is a very broad overview of the different design movements and all of the big players. Above all, it is most useful as a basic groundwork in design history and a starting point to discover topics you want to learn more about.

The Bauhaus School focused on bringing design to the people, reducing everyday things to their simplest, most functional forms. It encompassed many different types of art, of which graphic design was just a part, from architecture to industrial design. The lasting effects of the schools ideals and principles can still be seen today. This is as basic as it gets, useful and informative for anyone starting out.

A ground-level course in basic design principals like rhythm, pattern, focal point, and contrast presented as assignments from a design class complete with creative thinking exercises and real solutions from the authors’ students. Solid advice and examples to help you walk before you can run. These principals are so fundamental, yet are so easily overlooked daily.

Your basic course in grid work. Though I will probably be drug outside and beaten, I have to say that this book is not the bees’ knees. While it is an incredibly worthwhile book in grid systems, there are many more, newer volumes that are, I dare say, easier to digest. Many designers find this book to be the end-all-be-all, most of that is due praise because Müller-Brockmann was pretty much the first guy to synthesize this information. All I am saying is every designer should read at least one grid design book, and this is the daddy of them, but do some research, you may find one that works better for you (even if they are just presenting the same information a little differently).

Even though I thought this would be a cheesy self-help book, my opinion was quickly changed and became a very important tome. Whack teaches you just how to free up your imagination and think out of your proverbial, self-imposed box, altering your line of thinking to allow you to get to more innovative ideas and conepts. Also very worthwhile is Roger von Oech’s follow up, A Kick in the Seat of the Pants.

This is in many ways a more simplified version of Itten’s exhaustive The Art of Color. If you plan to work with color at all, you owe it to yourself to know some decent color principles like why certain color combinations work better than others, theories on color contrasts and processes to obtain color combinations that evoke particular moods. Also check out: Color Index by Jim Krause, and Leslie Cabarga’s The Designer’s Guide to Color Combinations and The Designer’s Guide to Global Color Combinations. While these are useful, they can also become crutches. Use them as starting points to color ideas or as reference.

A great intermediate book on type design. It takes a much more textbook style approach primarily focused on individual fonts for identification, time period and usage, but you will also find some great layout and typographic methodologies.

An essential book for anyone who uses type in design. Yeah, that’s right, I mean you. As a graphic designer, you owe it to yourself to read more books like this. Inside, you will find some hardcore principles of design, like The Golden Section, a thorough disection of type forms, type usage and layout, type identification, and ever so much more. Mostly focused on page design and print material (skewed towards type layout) but contains ridiculously useful information which is easily applied to all forms of design. For a more basic, but equally worthwhile starter course, try Stop Stealing Sheep & Find Out How Type Works by Erik Spiekermann and E.M. Ginger.

History of Type! Wow, this is serious Typographic nerdery, and I loved every word of it. Don’t take your fonts for granted. Find out why they were made, who made them, what significance they had to the greater picture. Chock full of interesting history and type related trivia.

The subtitle of this book is: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols, and it is all that and more. This is a very good place to start learning more about the particulars of logo design right down to nitpicking kerning, leading, individual character shapes.

You still wanna be a graphic designer, huh? You fool! If you insist on traversing this slippery slope, at least arm yourself. This is the stuff that they don’t tell you about in school (at least not at my college). Inside you will find very useful information like base pricing guidelines for every type of design work conceivable, information on paper work like invoices and contracts, and information on all of the situations in design and business you don’t see coming. If you plan to do things on your own someday, whether it be freelance or starting your own design business, you really need to start somewhere. By following some helpful tips and guidelines books like this contain, you help other designers too. The point is for everyone to value design (client and designers), by pricing things the general ballpark of what they are worth. Teach your clients what good design is, and what they are buying from you. You help us all from the notion we are graphic decorators.